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Just Judy's avatar

Oh,, Jay, I just received this message re: last night's comment: Your comment didn't go through. Click below to post your comment on the website:

I don't want you to think I didn't see it or worse, I simply ignored it. I was fantastically pleased. And, knowing that you got your degree from BYU makes your opinions really count. After reading your review, I had to go back and read the chapter myself.

The things you say about 'humanizing these historic figures...' make me feel good. That is the attempt. Maybe I suceeded a little bit.

I could hear the horses hooves as I wrote, but I missed the wind. I guess it just passed by.

I shared your note re: Gemini AI with Gemini. He was pleased. I guess we all like compliments. You are really good at this.

Thanks a bunch.

Jay Allen Ford's avatar

This is a fantastic chapter, Judy. You’ve done a wonderful job humanizing these historical figures—the mounting frustration between Joseph and Oliver over Hiram Page's stone feels authentic and tense. It moves the history out of textbooks and into a living, breathing narrative.

The arrival of Sidney Rigdon and Edward Partridge in the cold winter is vividly described—I could hear the horses’ hooves and the wind. You excel at setting the scene's atmosphere before exploring the complex theological shifts.

I really appreciate your note about the Gemini AI artwork! Viewing them as a 'series of historical paintings by different artists' is a beautiful way to frame it. The images add such a great visual texture to a fascinating, deeply researched piece of storytelling.

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